VMA 2.1 : Better a worm in Braj than a god elsewhere!

Ajab Bihari murtis in Cchipi Gali, Vrindavan

vṛndāraṇye varaṁ syāṁ kṛmir api parato no cid-ānanda-deho
raṅko'pi syām atulyaḥ param iha na paratrādbhutānanta-bhūtiḥ |
śūnyo'pi syām iha śrī-hari-bhajana-lavenātitucchārtha-mātre
lubdho nānyatra gopī-jana-ramaṇa-padāmbhoja-dīkṣā-sukhe'pi ||2.1||

I would rather reside even as a worm in Vrindavan,
than in a blissful spiritual body somewhere else.
I would rather live here, even as a poverty-stricken beggar,
than as one possessing wonderful, unlimited wealth elsewhere. 
I would rather reside here in Vrindavan,
even without doing any bhajan to Lord Hari whatsoever,
absorbed in greed for the most trivial things,
even if elsewhere I could know the joy
of being initiated in the service
of the lotus feet of Lord Krishna,
the lover of the gopis.

Commentary

Prabodhananda Saraswati is the ācārya for Braja-vāsa-sādhana, i.e., the devotional practice of living in the Dham. After praying so intensely in previous verses to attain residence in the Dham, it appears that he has been granted entry and in this verse he expresses his great humility at having been awarded the glorious opportunity to perfect his bhajan to the Divine Couple by the grace of Vrindavan Dham.

Sometimes people find it difficult to understand his niṣṭhā and his vision of Vrindavan, which may seem at odds with logic.

Indeed, the "city of love" (Prema-pattanam) is full of contradictions. For those who believe that Vrindavan is everywhere and there is no need to think that a particular geographical location has any special characteristic, Prabodhananda recites this verse.

Vrindavan is to this material universe as the soul is to the body. The ultimate truth of Radha and Krishna's divine love is the all-pervading, underlying fact of existence, which has become manifest here in the incarnation of their Dham.

Even after Radha and Krishna become invisible to the world, their Dham remains. Although it is the nature of Maya to attempt to cover the Dham, and Kali does everything in his power to do so, nothing can ever fully cover the svarūpa-śakti's presence here. Those who say that the presence of material imperfection in the Dham is an indication that it is not special or necessary are wrong.

The svarūpa-śakti exercises its influence on all who stay here. But it becomes most clearly manifest when those who reside here cultivate the understanding of the Truth of the Divine Couple and devotion to them. Whether they are here from birth or come from afar due to the attractions of the Dham -- because of the very potential that Prabodhananda Saraswati is revealing in his Vṛndāvana-mahimāmṛta -- if they deepen their understanding of the revelation given to Vrindavan's "avatar generation" – from whichever tradition or sampradāya -- then they make the Dham reveal its true form.

It is much like the story told by Rupa Goswami where Krishna was able to hide his true identity by assuming the form of Narayan. He could fool some of the gopis even though their attraction to him was diminished by his disguise, but when Radha came by, he could not maintain it. He was obliged by her devotion to reassume his three-fold crooked form, playing the flute and smiling sweetly in the mood of the ujjvala-rasa.

gopīnāṁ paśupendra-nandana-juṣo bhāvasya kas tāṁ krtī
vijñātuṁ kṣamate durūha-padavī-sañcāriṇaḥ prakriyām
āviṣkurvati vaiṣṇavīm api tanuṁ tasmin bhujair jiṣṇubhir
yāsāṁ hanta caturbhir adbhuta-ruciṁ rāgodayaḥ kuñcati ||

"What capable person could possibly fully understand the manifestations of the gopis' mood of love for the son of Nanda Maharaj, which rises to the highest extremes of incomprehensibility? When they saw Krishna disguised in his Vishnu form in all its four-armed splendor, even though they knew it was God Himself, their attraction to him was diminished." (Lalita-mādhava 6.15, CC 1.17.281)

So it is for Prabodhananda Saraswati or Raghunath Das or any other sādhaka who has attained the level of recognition of Vrindavan's true glories. No other place, not Mathura, not Dwarka, not Haridwar nor Badrinath, despite their purity and holiness, can ever attract the single-minded aspirant for the service of the Divine Couple.

But Radha's love is so strong, her dedication so powerful, that Krishna cannot hold onto his disguise.

rāsārambha-vidhau nilīya vasatā kuñje mṛgākṣī-gaṇair
dṛṣṭaṁ gopayituṁ svam uddhura-dhiyā yā suṣṭhu sandarśitā |
rādhāyāḥ praṇayasya hanta mahimā yasya śriyā rakṣituṁ
sā śakyā prabhaviṣṇunāpi hariṇā nāsīc catur-bāhutā ||7||

"At the beginning of the Rasa dance, when Krishna hid from the doe-eyed gopis in one of the kunjas, he cleverly disguised himself by taking on the Vishnu four-armed form so that even when they saw him they did not recognize him. But just look at the glory of Radharani's love, by which beauty Krishna was unable to maintain that form despite being all-powerful." (Ujjvala-nīlamaṇi 5.7, CC 1.17.293).

So, the work of those who reside in Vrindavan is to make the Dham manifest. They do so by perfecting their bhajan at whatever their level of understanding or the strength of their devotion. The innermost circle may be the least visible -- those who practice devotion in hiding. Others may preach or engage in welfare work or in cleaning, it does not matter as long as they work to make Radha and Krishna's abode into a living and breathing reality, inwardly and outwardly, into God's own playground, thereby making it manifest to as many people as possible.


VMA 1.100 : O Mother! You will not neglect me
VMA 1.99 : Without grace, no Brajavasa.
VMA 1.98 : Cutting the chains of false affection
VMA 1.97 : Three levels of renunciation
VMA 1.96 : When will I see the Krishna bumblebee?
VMA 1.95 : Vrindavan bestows a sphurti of its internal svarupa
VMA 1.94 : Three levels of renunciation
VMA 1.93 : Mother Vrindavan take me to your bosom!
VMA 1.92 : For those making excuses
VMA 1.88-91 : Prayers for Vrindavan residence


Comments

Prem Prakash said…
"Although it is the nature of Maya to attempt to cover the Dham, and Kali does everything in his power to do so..."

Can you provide a scriptural and/or historical context for this outlook?
Tuesday, 16 July, 2019
Post a Comment

Popular posts from this blog

O Mind! Meditate on Radha's Breasts

Image
Flickr As I go through the dāna-līlā episode of Chandi Das's Śrī Kṛṣṇa Kīrtana , there are many songs in which Krishna describes Radha's beauty, and a regular feature of that includes descriptions of her breasts. In fact, breasts are a subject that is prominent in all Sanskrit poetry, and is even standard in prayers to goddesses. There does not seem to have been any inhibition in talking about breasts in the ancient Indian culture, even though I dare say, there is more of one in the modern society, in spite of Bollywood. There is, however, an apparent restriction in talking about genitals, male or female, in the so-called erotic poetry of India--Sanskrit or vernacular--even when lovemaking etc., is described. Such descriptions would automatically fall into some other genre. In Radha and Krishna descriptions, I cannot recall ever seeing or hearing a passage that mentioned genitals or overt sexual activity. It is nearly always spoken of somewhat euphemistically. I remember
Read more

Swami Vishwananda's Bhakti Marga and Parampara

Image
It has been a little strange here at Jiva these past few days. Swami Vishwananda is here with his troupe of disciples, of whom there are a goodly number, perhaps 80 or so. When I arrived in Vrindavan already a couple of weeks back, almost the first thing I noticed at the corner of Mathura Road and the Parikrama Marg was a big billboard with Swami Vishwananda’s charming smile and glowing tilak staring charismatically out at the world and announcing that he would be giving darshan on March 8 at the Jiva Institute. Below him, in a smaller frame was Satyanarayana Dasa Babaji, who besides being his host will be speaking on the Bhāgavatam at the darshan event. This is not the first time that Vishwananda and his group have been at Jiva. Satyanarayana Dasaji calls Vishwananda a friend, and indeed the relations between the two are very cordial. Vishwananda's group is mostly young and enthusiastic, predominantly European (German and points east), who are very enthusiastic about
Read more

Erotic sculptures on Jagannath temple

Image
This was written on the basis of Sundarananda Vidyavinode's Sri Kshetra and intended for a devotee audience, as it was done on a commission by disciples of Bhakti Promode Puri Maharaj. It has never been published. I decided to put this on line since there was a discussion on Facebook on the subject and I thought I would revisit what I wrote here nearly twenty years ago. This is from chapter ten on temple renovations. Please note that I have removed the images that I had found of some of the sculptures. I have been blocked from posting links to this blog on Facebook for some infringement of its "community standards". The only thing I can think of on this blog that might have offended some prudish person in cyberspace is this. I do not have much hope for redemption as it has been over six months since my ban is "under review" and there has been no sign of action. Needless to say, I find this heavy-handed action on the part of Facebook dangerously authoritar
Read more