Posts

Showing posts with the label Chandravali

Service to the wise

Image
It is getting difficult for me to post every day as I am being distracted by numerous distractions in my new life here. I am dealing with the strange new circumstance in which I find myself, presuming that there is some meaning in all fortuitous circumstances. I have started making videos in French. The devotional community here in Quebec is very small and very fragmented. Furthermore, I am treated by everyone with great suspicion. Madhuri has a generally poor opinion of most of them, in no small part because their suspicion of me spills over to them. But I am of the opinion that my first responsibility is serving the devotees, which is why I chose today's title. I have been experimenting as my French is not all that great. But still, it seems that it would be better to try this first.  Anyway. I am feeling a bit isolated and in need of bhakta-sanga , otherwise my spiritual life is going to deteriorate. This is of course the test. Many people said to me that Vrindavan is everywhere...

Five Essential verses of Gita Govinda (Verse 4)

Image
Jayadev Foundation Trust (4) Radha, the Empress of Love Our fourth essential verse of the Gīta-govinda  or Gita-govinda pañca-ślokī, comes in the final chapter and summarizes the last prabandha or song 24. racaya kucayoś citraṁ patraṁ kuruṣva kapolayor ghaṭaya jaghane kāñcīṁ mugdha-srajā kavarī-bharaṁ | kalaya valaya-śreṇīṁ pāṇau pade maṇi-nūpurāv iti nigaditaḥ prītaḥ pitāmbaro’pi tathākarot || Radha said, "Draw pictures on my breasts, decorate my cheeks with dots of musk, tie a sash of bells around my hips, braid my hair with a charming garland. Place bangles on my wrists and jeweled ankle bells on my feet." So being told, the yellow-robed Krishna, being pleased, did so. (12.25) This is the last verse that contains a description related to the overall dramatic theme of the Gīta-govinda . Rupa Goswami quotes it at UN 5.93 as an example of the svādhīna-bhartṛkā . As we have been saying, the eight situations of the heroine are the principal theme ...

Five Essential verses of Gita Govinda (Verse 3)

Image
From Jayadev Foundation Trust . (3) Radharani's māna viharati vane rādhā sādhāraṇa-praṇaye harau vigalita-nijotkarṣād īrṣyā-vaśena gatā'nyataḥ kvacid api latā-kuñje guñjan-madhu-vrata-maṇḍalī mukhara-śikhare līnā dīnāpy uvāca rahaḥ sakhīm|| When Radha saw Hari frolicking in the forest, treating all the women with equal affection, she felt her own special status had melted away. Envy and anger arose in her, and she went off. Somewhere, in a vine covered bower, where bees buzzed in circles overhead, she hid, and forlorn in her solitude, confided to her friend. If the first two verses of our five described Krishna as the viṣaya and then as the āśraya of love; now this verse points to the essential mechanism that transforms him from the one role to the other. This will be further explained in our analysis of the fifth verse. The third verse of the Gīta-govinda pañca-ślokī appears in the latter portion (verses 25-35) of BRS 3.5, the abbreviated chapte...

Chandravali, the Compliant

Image
In the viṣkambhaka (or introductory interlude) of Dāna-keli-kaumudī , Vrinda Devi speaks a couple of verses in glorification of Radha. She starts out with an expression of humility, anālocya vrīḍāṁ yam iha bahu mene bahu-tṛṇaṁ tyajann īrṣāpannāṁ madhuripur abhīṣṭām api ramām | janaḥ so’yaṁ yasyāḥ śrayati na hi dāsye’py avasaraṁ samarthas tāṁ rādhāṁ bhavati bhuvi kaḥ ślāghitum api || , Even though to give me honor, the enemy of Madhu shamelessly abandoned the Lakshmi Devi he cherishes, like nothing more than so much grass, despite her jealousy, I have never had the opportunity to serve Radha. Who then on this earth can possibly praise her adequately? (DKK 11) Vrinda Devi appears to be refering to her marriage to Shalagram in the form of Tulasi Devi, with whom she is identified. Here, though, she shows that like Radha's other sakhis, despite their own personal glorious attainments, she has put aside any such claims in order to give recognition to Radha’s vast superiority...

Lament for the Impervious (from April 2004)

Image
This article was written over several days in April 2004 . I am republishing it mainly for the two UN verses that are quoted further down, as the subject of Chandravali came up in a Facebook conversation yesterday. It is always a curiosity to read old articles. Some interesting points, but the main thing I wanted was the verses from UN near the bottom. The other day I was inspired to telephone an old Iskcon acquaintance who is an accomplished classical musician and composer. I thought I could sell him the idea of composing a work based on the rāsa-līlā according to the way I see its structure. Unfortunately, this devotee, who is now committed to the Ritvik camp, was very negative, even hostile. Barely had the words rāsa-līlā come out of my mouth than my friend said, "We don't consider ourselves advanced enough to discuss such things." I made a few attempts to pierce the thick defensive wall he had thrown up, but he said, "We have made a decision to only liste...

Radhashtami 2009

Image
Rādhā-viraha . Nandalal Bose (1936) . I have been carrying on a multi-pronged research project in relation to the Dāna-līlā, part of which includes reading the Bengali texts that precede Mahaprabhu's incarnation. Now one thing that is very important to understand: Nothing happens in a vacuum. There are always preconditions that make subsequent events possible. If there were no Radha-consciousness before Mahaprabhu came, it would have been impossible for anyone to believe or accept the mythology of Mahaprabhu incarnating Radha's mood. The entire theological thrust of the Caitanya-caritāmṛta , which is only moderately present in Mahaprabhu's other biographies, is that Radha is superior to Krishna, not because of some glorious divine creative, mystical or magical powers, but because of her love. bhaktir evainaṁ nayati bhaktir evainaṁ darśayati bhakti-vaśaḥ pūruṣaḥ bhaktir eve bhūyasī Devotion leads the Supreme Lord. Devotion reveals Him. The Lord is und...

Shukas and Saris Discuss Mana

Image
This verse from the Ujjvala-nīlamaṇi keeps coming to me— aher iva gatiḥ premṇaḥ svabhāva-kuṭilā bhavet tasmād dhetor ahetoś ca yūnor mānam udañcati The path of love is as naturally crooked at that of a snake. Therefore lovers quarrel, sometimes with good reason, and sometimes for no reason at all. (UN 15.102) This is the difference between Gaudiyas and Nityaviharis. The latter see no usefulness in māna from the point of view of rasa , whereas the Gaudiyas (a pox on them!!) do. Why? Because that is somehow at once an integral part of the essence of loving relationships, which have a permanent, innate dialectic in them. The word māna ("measure, weight" -- "self worth" -- "pride") has two different uses. One is the kind of frustrated anger and displeasure that is half explicable, half not, and seemingly causes a distance to grow between lovers. That is the meaning in Ujjvala-nīlamaṇi chapter 15.74-146. The other meaning, from chapter 14, is a st...