VMA 2.19 The innermost light
sarvābhāsa-jyotiṣo'nanta-pāra-
syāntar-jyotir vaiṣṇavānanda-sāndram|
tasyāpy antar-jyotir asty aprameyā-
nandāsvādaṁ tatra vṛndāṭavīyam||
Within the boundless, all-pervading effulgence
is the densely blissful, inner light of Lord Vishnu.
That realm also has an inner light
of immeasurable transcendental bliss.
Therein lies this forest, Vrindavan.
Prabodhananda now makes a statement on Vrindavan tattva. We are accustomed to hearing of the spiritual realm as being one of light. It begins with the Upanisads.
na tatra sūryo bhāti na candra-tārakaṁ
nemā vidyuto bhānti kuto’yam agniḥ |
tam eva bhāntam anubhāti sarvaṁ
tasya bhāsā sarvam idaṁ vibhāti ||
"There the sun does not shine, nor the moon and stars, there is no lightning, what to speak of fire! There everything is light because he is effulgent; by his effulgence all this [visible creation] is illumined." (Kaṭha Up. 2.2.15; Muṇḍaka Up. 2.2.11)
God is customarily associated with light, and especially with the "inner light." This is because the external light like that of the sun is harsh, whereas the inner light which shines in the darkness of one's inner being, is soft and cooling like the moon.
It has already been stated that Vrindavan contains all other realms of being in VMA 1.8. Here Prabodhananda summarizes the Vaishnava sambandha-tattva in relation to the abode.
Each form of God has, along with it, a particular "realm" or world associated with it. These realms lie within each other, and the most profound concepts of God are found in the inner, innermore and innermost realms.
All transcendentalists prioritize the inward movement, the subjective, the ideal, over the so-called reality of phenomena, which are constantly changing and always defective, and therefore illusory, only a sparkling object that attracts the lust of a childish mind.
The first movement inward is to Brahman. The violence of the turn inward makes the naked glory of Brahman's light blind one to all that lies beyond it. Intuiting this, the devotee prays:
hiraṇmayena pātreṇa
satyasyāpihitaṁ mukham |
tat tvaṁ pūṣann apāvṛṇu
satya-dharmāya dṛṣṭaye ||
The face of Truth is concealed behind a cover of gold.There, one comes face-to-face with the supremely effulgent God of gods, his ever serene and blissful face calling out to relish his love in the rasa called "the peaceful."
Therefore, O Sustainer, remove it for this eye, devoted to Truth.
prāyaḥ sva-sukha-jātīyaṁ sukhaṁ syād atra yoginām |
kintv ātma-saukhyam aghanaṁ ghanaṁ tv īśa-mayaṁ sukham ||
tatrāpīśa-svarūpānubhavasyaivoru-hetutā |
dāsādivan manojñatva-līlāder na tathā matā ||
So this class includes those who are called nirguṇa-bhaktas.
The light within this light is the one that begins to truly reveal the forms that lie within, the blueprints of creation, the true image of God, the Logos.
This is the domain of the aprameyānandāsvādaṁ, the taste of limitless joy, where the waves of love start to wash over the devotee and push him deeper and further into the profound emotional seas of relationship with God.
And this level goes deeper and deeper through the different kinds of relationship with God, each of which, however idealized, has its own realm, environment or heaven in which it exists. That is called its effulgence or dhāma.
But at the very center of it all is the blissful union of the Divine Couple, from whose love everything emanates. The realm of this union, the effulgence that this union emanates and in which it remains nestled, is called Vrindavan.
VMA 2.18 : It takes courage to live in Vrindavan
VMA 2.17 : Give up caste identity to dwell in Braj
VMA 2.16 Where sin is concerned, be dumb, deaf, blind and inactive
VMA 2.15 : I will do violence to anyone who tries to remove me from Vrindavan
VMA 2.14 : Give up chewing the already chewed
VMA 2.13 : Ananta Vrindavan
VMA 2.12 : Vrindavan's trees, vines and deer fulfill the meaning of their names
VMA 2.11 : We bow to the trees and vines of Vrindavan
VMA 2.10 : Radha and Krishna pick flowers in their garden
VMA 2.9 : Serve that pair of divine effulgences
Comments
The light within this light is the one that begins to truly reveal the forms that lie within, the blueprints of creation, the true image of God, the Logos.