Jagat

This is a photo of my friend Vishnu Panigrahi taken at the final rituals on the day of Swami Veda's jala samādhi. They were offering flowers to his body, which was about to be taken to Haridwar to be placed in the fast flowing Ganges in a place where the water was deep. Swamiji's akhara oversaw the rituals. Many people will be posting photos and videos, so I decided just to take pictures of some of the people who came. Not everybody, just the ones I recognized.  Here is my album from that day in 2015. There are other Rishikesh-related memories. FB memories July 17.   2017   One of my favorite songs. I heard this in the film Nīlācale Mahāprabhu , but the link has been lost. I did not post a translation the first time, so here it is.   ki rūpa herinu madhura mūrati pirīti rasera sāra| hena laẏa mane e tina bhūbane tulanā nāhi go tāra|| What beauty have I beheld, a form of sweetness, the essence of the taste of love It seems to me that this form has no equal anywher...

Watercolor by  Anjali Tripathi   The next section of SKK is the Vaṁśī-khaṇḍa ; it is the second to last in the book, comparatively long with a total of 42 songs. It does not appear that any pages (169-189) from this section were lost. The plot is not particularly complex, but stands out for having some of the most powerful songs in the entire work. The principal subject of the chapter is the effect of Krishna’s flute on Radha and it ends with her theft of the flute, with the attendant consequences. Krishna's flute is, of course, one of the symbols most closely associated with his iconography, and has a great deal of significance, which helps to account for its resilience. For Rupa Goswami, it is one of the four special characteristics of Krishna that separate him from all other forms of the Vishnu-complex of deities. sarvādbhuta-camatkāra- līlā-kallola-vāridhiḥ | atulya-madhura-prema-maṇḍita-priya-maṇḍalaḥ ||41|| trijagan-mānasākarṣi-muralī-kala-kūjitaḥ | asam...