tag:blogger.com,1999:blog-31351038.post6154405452716898768..comments2024-03-26T13:06:41.178-04:00Comments on Jagat: Sādhāraṇī-karaṇa RevisitedJagadananda Dashttp://www.blogger.com/profile/05887720845815026518noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-31351038.post-80936704436245952172009-05-01T17:55:00.000-04:002009-05-01T17:55:00.000-04:00Excellent!!
Thanks for that distinction of myth a...Excellent!!<br /><br />Thanks for that distinction of myth and literalism. It's a fine line to travel. Internal and external is a good way to say it. What is appropriate internally may not work externally. But when it is really gotten internally it is envisioned everywhere. Paradoxically.<br /><br /> If the whole universe is Uddipana for rasa then why not the details of our lives. If Radha and Krishna are seen everywhere an abundance of Prema would permeate all. then there would be no places where Love could not run. You say it's in the middle stage. The supreme stage would have you be as an assistant to the lila?<br /><br />This is really cool. Bringing one and difference together. The puzzle takes shape. The tendency to lose ourselves in something other... the urge to merge.. it is real and it's great to address it in personalist philosophy.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-31351038.post-49720869410449435192009-04-22T23:38:00.000-04:002009-04-22T23:38:00.000-04:00Correction made. Sarah to Susan.Correction made. Sarah to Susan.Jagadananda Dashttps://www.blogger.com/profile/05887720845815026518noreply@blogger.comtag:blogger.com,1999:blog-31351038.post-42294649412844095052009-04-22T21:20:00.000-04:002009-04-22T21:20:00.000-04:00Ok, we got her name wrong, its not Sarah Boyle, is...Ok, we got her name wrong, its not Sarah Boyle, ist SUSAN Boyle. Please correct, thanks.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-31351038.post-34464329085526566162009-04-22T20:48:00.000-04:002009-04-22T20:48:00.000-04:00About Sarah Boyle, her dress wasn't really frumpy;...About Sarah Boyle, her dress wasn't really frumpy; it was age appropriate, discrete and actually quite elegant. Her hair; well, at least she did "something" with her hair which looks like the type of hair that usually you cannot do ANYTHING at all about. And her shoes were cute, like something the royals would wear, so she didn't do that bad. <br /><br />But... she DOES need a makeover. I hope she gest a makeover. She needs to get her neck done, I am sorry but thats just what needs to be done. Pluck the eyebrows, some upper lip hair removal, and lose about 15 lbs. Anything else? I think thats it. <br /><br />Oh, oh, oh, the hair. Just some good treatment for volume and color. Some cool earrings, make up, she will be good to go.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-31351038.post-18397295095706351532009-04-22T18:11:00.000-04:002009-04-22T18:11:00.000-04:00Part of me wants to accept this, and part of me gi...Part of me wants to accept this, and part of me gives it up as absurdity. Truly a unique take on Rupa Goswami. The Manjari's are experiencing the joy of sambhoga. Intuitively, as a rasik, you need to be a cultured member of the audience. If we are to lack that refined aesthetic culture, how can we understand the rasa that is present in the divine? If we cannot understand what mundane love is, how can we hope for the emotion involved of the divine?<br /><br />Have I gone off here? I'd like to think that what you're saying makes sense to me.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-31351038.post-57923705141619171962009-04-22T15:11:00.000-04:002009-04-22T15:11:00.000-04:00Sadharanikarana - Universalising an EmotionBharat ...<B>Sadharanikarana - Universalising an Emotion</B>Bharat and succeeding Acharyas - scholars, explained how arts<br />universalized an emotion and made it an instrument of universal<br />appeal. They asserted that an actor, while seeking to reveal the<br />emotion of his subject, would himself become such emotion's<br />courier; and, a powerfully revealed emotion would drag the<br />spectator also into its periphery. Thus, the subject's emotion,<br />reaching the spectator through the actor, becomes the emotion of<br />all; it thus gets universalized. This universality of an emotion<br />is the essence of arts, as individuality might interest a few,<br />but an emotion, when universalized, becomes everyone's delight.<br />Indian aestheticians perceive this transfusion of emotion as its<br />'sadharanikarana'.<br />An excerpt from the article by Prof. P.C. Jain and Dr Daljeet, available at:<br />http://www.exoticindia.com/article/rasa/dr.jayahttp://groups.yahoo.com/group/Divine_Lovers/noreply@blogger.com